On 23 May 2024, Volume XXI of the series Publikationen der ungarischen Geschichtsforschung in Wien (PUGW) was presented in Vienna. The monograph by István Fazekas, Die ungarische Hofkanzlei und ihre Beamten von 1527 bis 1690, was introduced by Thomas Winkelbauer. Thanks to the careful organisation of Iván Bertényi Jr., the event—marked by lively interest—was hosted at the Vienna seat of the Hungarian Embassy, located in the former palace of the Hungarian Court Chancellery.
This early modern institutional history, based on a prosopographical methodology, represents a work of fundamental importance for both Hungarian and Austrian scholarship and constitutes one of the most valuable and enduring contributions to the Viennese Hungarian historical series. Numerous well-known figures from Austrian archival and academic circles were present at the event.
By contrast, 21st-century Hungarian diplomacy has, as a rule, shown little understanding of scholarship and its modes of operation. It frequently relies on ad hoc, purely representational events—such as the one organised in October 2022 at the Palazzo della Cancelleria in Rome—which conspicuously lack any solid scholarly foundation. One may, of course, send people abroad and repeatedly spend Hungarian taxpayers’ money on visual design in the service of individual career ambitions, but such efforts are, in essence, devoid of real meaning. Science diplomacy without genuine scholarship is a contradictio in adiecto—a wooden iron. I write this on the basis of nearly three decades of experience in Rome.
In Vienna, by contrast, scholarship and diplomacy consistently go hand in hand. Indeed, the Hungarian Embassy in Vienna regularly facilitates the reception of major historical research projects by making the splendid ceremonial hall of its palace in Bankgasse available for the presentation of important scholarly works. This was the case, for example, with the Bischofslexikon (see here). All this takes place without any direct or indirect party-political overtones, a fact that deserves particular emphasis.
Behind this stands the cooperation between the Collegium Hungaricum in Vienna, the historical institute operating within its framework, and the Viennese archival delegation—and, personally, the work of István Fazekas, Gábor Ujváry, András Oross, Krisztina Arany, Iván Bertényi Jr., and others. This cooperation finds its most tangible expression in the jointly edited scholarly series produced by these three institutions. Through this series, the Fraknói Research Group is also connected to Hungarian historical research in Vienna, since the PUGW is the twin series of the Collectanea Vaticana Hungariae (CVH), as I have previously explained (see here). It is no secret that this twin-series concept follows a Vatican archival model, which has met with approval both in Rome and in Vienna.
To what I already outlined in 2018, it is worth adding that both the conceptual and practical idea for the PUGW originated directly from the CVH. The guiding question was simple: if Vatican-based research already has a well-conceived and practical scholarly series, why should Hungarian historical research in Vienna not have—mutatis mutandis—a similar one, drawing on the same know-how and typographical infrastructure? My only hesitation concerned the fact that the additional workload would delay the CVH by three to four volumes. In the end, I concluded that, if successful, a new Viennese series would justify this sacrifice.
In 2008, during one of my last extended research stays in Vienna, I began to discuss these ideas more intensively with my mentor and friend István Fazekas, considering the realistic possibilities of implementation. The PUGW was the result of this shared reflection. Its rapid launch was urgently needed, not least in order to publish conference proceedings from earlier years of the Collegium Hungaricum. A decisive step in the founding process was István Fazekas’s success—assisted decisively by Anna Fundarek—in convincing József Kelenik, then director of the BMTI, of the importance, usefulness, and feasibility of the project.
I record all this primarily for the future rather than the present, since the PUGW is now regularly referred to—both retrospectively and today—as an initiative originating from the Viennese Hungarian institutions themselves, indeed as one of their official undertakings. This shift in perception is, of course, a welcome development and a clear, visible sign of the series’ viability, consolidation, and success.
Not only is the overall design of the PUGW (cf. here) identical to that of the CVH—apart from the fact that the involvement of Gondolat Publishers was no longer necessary—but, in agreement with István Fazekas, I also modelled the copyright pages of the first volumes on the CVH. Although this was not legally required even at the time, I included, for example, a responsible publisher, thereby enhancing the prestige of the new series.
Considerable thought was devoted in 2009 to the name of the series. The stylistic model was the Austrian Publikationen des ehemaligen österreichischen Historischen Instituts in Rom. Since three institutions stand behind the PUGW, a collective designation was required. Among several possibilities, I opted for Ungarische Geschichtsforschung in Wien, a choice that also met with the approval of my co-founder, István Fazekas. Under this title, the series is suitable not only for publishing archival research conducted in Vienna and Austria, but also for presenting any result of Hungarian historical scholarship worthy of publication in Vienna and, by extension, before the entire German-speaking scholarly world.
A particular distinction of the PUGW is that it obtained an international ISSN number (2073-3054) from a French issuing centre. As a consequence, Hungarian historical research has, for fifteen years now, possessed a foreign-published, internationally registered series (recognised as such in the MTMT) in which Hungarian historians can publish at high quality, quickly, simply, and—above all—at very low cost. In other words, there is no need to enrich the profits of international publishers with millions from Hungarian institutional or grant budgets in order to achieve internationally visible publications. Thanks to the distribution system reorganised by András Oross, the PUGW is now present in major European and non-European public libraries.
This represents a unique opportunity, the full exploitation of which has only just begun. As a curiosity—and ultimately for the record—it may be noted that the Roman numeral numbering of the PUGW was essentially accidental. I myself typeset Volumes I, III, and IV; Volume II was produced in Pécs under my supervision. Because the digit “1” of the digitally cut Tótfalusi Antiqua used for the CVH closely resembles a capital “I”, the Pécs typesetter interpreted it as a Roman numeral and numbered the second volume accordingly. I ultimately did not correct this—although placing, for example, a Roman numeral XXXVIII on the spine of a thinner volume may one day pose a challenge. The temptation of the hidden game, whereby the Roman numeral alludes to the Vatican connection of the PUGW, proved stronger. Although the annotation system underwent some changes from Volume V onwards, the bibliographical typology of the PUGW and CVH remains essentially identical.
After minor and major fluctuations, the PUGW now appears to have stabilised. A clear sign of this is that, alongside the editorial board, András Oross has assumed responsibility as managing series editor, while—thanks to Krisztina Arany—the Viennese archival delegation has taken on an increasingly substantial role alongside the historical institute. The implementation of the pugw.at series website, proposed by me in a conversation with András Oross in Vienna in early December 2023, will open a new chapter in the history of the PUGW and, with it, of Hungarian historical research in Vienna. In the future, digital versions of PUGW volumes will become available online in a more visible, more uniform, and above all faster manner. Since the series’ own website is expected to be completed only by spring 2025, the newly prepared e-book version of Volume XXI, presented recently in Vienna, is currently accessible and downloadable via institutumfraknoi.hu (here).
The key to further development lies in the consolidation of financial foundations, with state and academic backing. The Viennese legacy of Árpád Károlyi and Kuno Klebelsberg unquestionably deserves this.
Péter Tusor
INVITATION
PROGRAM